{"id":757,"date":"2017-08-18T06:17:41","date_gmt":"2017-08-18T06:17:41","guid":{"rendered":"http:\/\/library.cus.ac.in\/?page_id=757"},"modified":"2017-08-18T06:17:41","modified_gmt":"2017-08-18T06:17:41","slug":"new-arrivals-music-department","status":"publish","type":"page","link":"https:\/\/library.cus.ac.in\/index.php\/new-arrivals-music-department\/","title":{"rendered":"New Arrivals (Music Department)"},"content":{"rendered":"\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Sl. No.<\/th>Title<\/th>Author Name<\/th>URLs<\/th>Cover Page<\/th>\n<\/tr>\n<\/thead>\n
1<\/td>Indian Music: Through The Ages<\/td>S. Bandhyopadyaya<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193238<\/a><\/td>\"\"<\/td>\n<\/tr>\n
2<\/td>Indian Music During Delhi Sultanate Period<\/td>Dr. Nisha Wadhwa<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193239<\/a><\/td>\"\"<\/td>\n<\/tr>\n
3<\/td>Semiosis in Hindustani Music<\/td>Jose Luiz Martinez<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193228<\/a><\/td>\"\"<\/td>\n<\/tr>\n
4<\/td>Evolution of Raga and Tala in Indian Music<\/td>M. R. Gautam<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193229<\/a><\/td>\"\"<\/td>\n<\/tr>\n
5<\/td>Nityasumangali: Devadasi Tradition in South India<\/td>Saskia C. Kersenboom<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193230<\/a><\/td>\"\"<\/td>\n<\/tr>\n
6<\/td>The Dictionary of Hindustani Classical Music<\/td>Bimalakanta Roychaudhuri<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193226<\/a><\/td>\"\"<\/td>\n<\/tr>\n
7<\/td>Sacred Sound: Experiencing Music in world Religions<\/td>Guy L. Beck<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193227<\/a><\/td>\"\"<\/td>\n<\/tr>\n
8<\/td>R\u0101gas & R\u0101gin\u012bs: A Pictorial & Iconographic Study of Indian Musical Modes based on Original Sources<\/td>O.C. Gangoly<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193240<\/a><\/td>\"\"<\/td>\n<\/tr>\n
9<\/td>A Comparative Study of Some the Leading Music Systems of the 15th,16th, 17th and 18th Centuries<\/td>V. N. Bhatkhande<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193232<\/a><\/td>\"\"<\/td>\n<\/tr>\n
10<\/td>Musical Heritage of India<\/td>Lalita Rama Krishna<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193225<\/a><\/td>\"\"<\/td>\n<\/tr>\n
11<\/td>Table & the world of Indian Rhythms<\/td>Sudhis Chardra Banerjee<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193224<\/a><\/td>\"\"<\/td>\n<\/tr>\n
12<\/td>Glimpses on Indian Musicology<\/td>Dr. Lovely Sharma<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193235<\/a><\/td>\"\"<\/td>\n<\/tr>\n
13<\/td>Sources of research in Indian Classical Music<\/td>Reena Gautam<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193233<\/a><\/td>\"\"<\/td>\n<\/tr>\n
14<\/td>Hindu Music<\/td>Sourindro Mohun Tagore<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193234<\/a><\/td>\"\"<\/td>\n<\/tr>\n
15<\/td>\u0938\u0902\u0917\u0940\u0924-\u092d\u093e\u0937\u094d\u092f: Terminology of Musical Terms<\/td>S. Bandopadhaya<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193237<\/a><\/td>\"\"<\/td>\n<\/tr>\n
16<\/td>Music in India: The Classical Traditions<\/td>Bonnie C. Wade<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193241<\/a><\/td>\"\"<\/td>\n<\/tr>\n
17<\/td>Companion to North Indian Classical Music<\/td>Satyendra K. Sen Chib<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193242<\/a><\/td>\"\"<\/td>\n<\/tr>\n
18<\/td>A Practical Guide to North Indian Classical Vocal Music<\/td>Indurama Srivastava<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193243<\/a><\/td>\"\"<\/td>\n<\/tr>\n
19<\/td>The R\u0101ga-ness of R\u0101gas: Ragas Beyond the Grammar<\/td>Deepak S. Raja<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193244<\/a><\/td>\"\"<\/td>\n<\/tr>\n
20<\/td>Khay\u0101la Vocalism: Continuity Within Change<\/td>Deepak Raja<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193245<\/a><\/td>\"\"<\/td>\n<\/tr>\n
21<\/td>Origin And Evolution Of Indian Classical Music<\/td>Muzafarahmad Bhat<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193236<\/a><\/td>\"\"<\/td>\n<\/tr>\n
22<\/td>Hindustani Music: A Tradition in Transition<\/td>Deepak Raja<\/td>http:\/\/14.139.206.50:8000\/cgi-bin\/koha\/opac-detail.pl?biblionumber=193246<\/a><\/td>\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-757","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/library.cus.ac.in\/index.php\/wp-json\/wp\/v2\/pages\/757","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library.cus.ac.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.cus.ac.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.cus.ac.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/library.cus.ac.in\/index.php\/wp-json\/wp\/v2\/comments?post=757"}],"version-history":[{"count":4,"href":"https:\/\/library.cus.ac.in\/index.php\/wp-json\/wp\/v2\/pages\/757\/revisions"}],"predecessor-version":[{"id":791,"href":"https:\/\/library.cus.ac.in\/index.php\/wp-json\/wp\/v2\/pages\/757\/revisions\/791"}],"wp:attachment":[{"href":"https:\/\/library.cus.ac.in\/index.php\/wp-json\/wp\/v2\/media?parent=757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}